Wayne Bailey is Professor of Music at the Herberger Institute's School of Music at Arizona State University, where he teaches music appreciation and graduate and undergraduate courses in conducting.
Preface: Structure of the Text Listening Guides Features of the Text Introduction: Listening to Music Musical Labels How is Music Created? What to Expect at a Performance How to Listen to Music -- Technical Listening: -- Sensuous Listening: -- Expressive Listening: -- Musically Aware Listening: UNIT 1. How We Construct Music Learning Objectives Key Concepts -- Melody -- Rhythm -- Harmony -- Texture -- Timbre -- Form -- Expression -- Chapter Review Audio Review: How Am I Doing?
How We Make Music Learning Objectives Key Concepts -- The Human Voice -- Instrument Classifications -- Instrument Families String Instruments: Woodwind Instruments: Brass Instruments: Percussion Instruments: Keyboard Instruments: -- Electronic Instruments -- Ensembles LISTENING GUIDE 2. How Music Has Changed Over Time Learning Objectives Key Concepts -- Music of the Middle Ages, -- Music of the Renaissance, -- Music of the Baroque Era, -- Music of the Classical Era, -- Music of the Romantic Era, -- Music of the Modern Era, Present Audio Review How Am I Doing?
MUSIC OF THE CHURCH Music for Use in the Worship Hall What to Listen for in Sacred Music 4. Music of the Catholic Church Learning Objectives Key Concepts -- Chant-- the Basis of Western Sacred Music LISTENING GUIDE 4. Kyrie from Notre Dame Mass, Guillaume de Machaut Build Your Own Playlist Audio Review How Am I Doing?
Protestant Church Music Learning Objectives Key Concepts -- The Protestant Hymn LISTENING GUIDE 5. Bach Build Your Own Playlist Audio Review How Am I Doing? MUSIC OF THE CONCERT HALL Development of the Concert Hall The Concert Hall What to Expect at the Concert Hall Music of the Concert Hall What to Listen for in Concert Music 6. Music for Soloists with Orchestra-the Concerto Learning Objectives Key Concepts -- Characteristics of the Concerto -- The Baroque Concerto -- Antonio Vivaldi: LISTENING GUIDE 6.
