En vous souhaitant une excellente semaine,. Source: Civitates orbis terrarum. Public Domain Mark 1. What did London locations mean to sixteenth- and seventeenth-century people, and what do they mean to contemporary scholars? As a hugely expanding metropolis and the centre of printing, law, playing and the court as well as offering key opportunities to clerics and religious dissidents, London locations can be significant in many ways.
How did artists and writers inhabit its streets and how was their work inspired by it? Which London Locations facilitated the creation of networks for artists? We are keen to hear about primary material and located research as we think about whether London is a cosmopolis, global centre, birthplace of empire.
Papers will be between 15 and 20 minutes length tbc and we welcome proposals from scholars at all career stages. We are keen to have abstracts from historians, art historians and literary scholars.
Please send an abstract of words stating the location or locations you explore, the main terrain of your argument and what you want to discuss and a short biographical note, to s. Lieu: Maison de la recherche de Sorbonne, rue Serpente , salle D Also on Zoom — please write to our secretary for the link: mathilde. How we encode, render, and count stage directions in a digital edition depends on the relationship between stage directions and the rest of the text.
Are stage directions paratexts or are they part of the text of the playbook? What information do we need to capture when we encode stage directions? Where and how should we display them in our digital interface? And how should we number them in order to make them linkable and citable? This paper begins by showing the shifting placement of stage directions relative to the text block in the period to and briefly summarizing the recent burst of scholarship on stage directions, their purpose, authorship, and intended user.
