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In the gay community as we know it did not exist. Homosexual was a word used only to describe those who were considered sick heterosexuals. Yet in that same year, one man had the visionary idea that homosexuals were a "cultural minority" that could be organized to create a community and fight for their human rights.
Sixty years later that vision developed into a worldwide civil rights movement and inspired the creation of lesbian, gay and transgender communities on every continent. The man who had that exceptional vision was Harry Hay. An actor, Communist labor organizer, musicologist, gay theoretician and political activist, Harry Hay left a lasting mark that continues well into the 21st century. He was active in the Los Angeles avant-garde arts movement of the s where he worked as an actor. Hay participated in the San Francisco General Strike of and fought against Fascism, racism and anti-Semitism in the s.
In he conceived of and helped create the first sustained Gay activist group in America, the Mattachine Society. Throughout the s he conducted research into areas of anthropology, science, history and mythology for evidence of what he termed "my people," the gay community.
In the s he worked for and supported Native American struggles and helped to define and bring together the Gay men's spirit group called the Radical Faeries. Hay continued theorizing and organizing his People and supporting social justice for all people right up to his death in Hormel Gay and Lesbian Center, San Francisco Public Library, the epic story of this compelling and complex civil rights leader is brought to life.
The exhibition follows Harry Hays life from his early years through to the founding of the Mattachine Society and onto his later activism and eventual co-founding of the Radical Faeries. Along the way we look at what were the significant events in his life that formed and enabled him to do what no one else had done before. We explore his relationship with his parents, his precocious intellect and his early acceptance and openness about his homosexuality. The exhibition examines his labor activism and involvement with the Communist Party and its People's Songs movement before moving onto the Mattachine Society period and its aftermath.