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It has at its disposal one of the most extensive European fleets of OB vans for filming on location, and around forty studios in the Paris region. More than employees assist our clients in devising, designing and carrying out filming, transmission and broadcasting of programmes destined for every screen format. Today, we master all the stages involved in producing programmes that meet consumers' expectations. After competing against each other for over twenty years, the two companies merged in This is why, for example, the company introduced Dolby Surround in into its sound OB vans, consequently unlocking many international markets dealing in live production.
The company's studio filming business started in with the acquisition of the fabulous Rive Gauche Studios site in the heart of Paris, and then Studios in The agency's Lyon location now has almost 50 employees. This means that the company has its own relay plane, which is essential for RF broadcasting and ranks among the world's best. During recent years, AMP VISUAL TV has enormously developed all its services relating to its filming business by expanding its services to provide graphic identity, enhancement and publication on all digital media with its own media centre and web server.
The company's range of OB vans has steadily increased and today it encompasses around thirty vehicles. Whether it's the biggest global events, television studios or sporting events, we cultivate an extremely demanding on-air culture, a sense of adaptability and a constant desire to innovate.
Each project is unique and each film shoot requires an individual approach. With one of the widest technological ranges in Europe and with our committed, imaginative and constructive technicians, we are renowned for devoting the exact same care to each filming project, regardless of its size.
Our sixty production service employees are committed to organising the 4, productions carried out each year with attention to detail and to the comfort of our clients. Each production is overseen by a production supervisor working alongside an assistant and a technical manager. They coordinate all those involved in filming and ensure that the proposed equipment corresponds to the production's needs and is in the client's best interest.