Bach: Harpsichord concertos, vol. Indeed, the D major work BWV , which can so often seem a poor relation to the E major original, grasps its new context in many unusual ways. Notably, the registration contrasts are used sparingly but effectively in the majestic first movement, almost summoning up the opulence of a great festive cantata chorus.
Subtle rhythmic inflection is another striking aspect of this distinguished volume. The slow movements are discreetly chiselled and — rare these days — played on their merits rather than manipulated to distraction. Likewise, the unusual use of grace notes — rather more snappy than we are used to in the radiant A major Concerto BWV — brings an agreeable added dimension, yet never at the expense of the inner lyricism provided by the alert and supportive Helsinki Baroque Orchestra.
How courtly is the opening of the third movement with its placed up-beats, and how rural-sounding the bucolic F major Concerto with its ruddy chordal work, piping conversations and spontaneous roulades. I have listened to previous recordings of these concertos, but this is the first that has inspired me enough to listen again. Continuo is provided by chamber organ, and it is really nice to catch the brief sound of reedy chords through the texture.
The remaining three, Concerto III in D major, IV in A major and VI in F major are in this volume. Two not insubstantial works round off this disc. There is plenty of sound from the rear surrounds; the Finnish church ambience is clearly present but not over-reverberant, giving an intimate listening experience in 5. Häkkinen himself provides the excellent notes.
The level of communication from all players and their affection for this music is very high, and brings out the pure joy that Bach expressed when at the top of his composing talent. Wonderful music, wonderful playing. Treat yourself to both volumes. John Miller, SA-CD. Kraus, Mozart Monica Groop, mezzo-soprano Pauliina Fred, traverso dir. Aapo Häkkinen Mozartfest Würzburg, Finnen stellen neben Mozart einen Franken Die gut zwei Dutzend Musikerinnen und Musiker bewiesen, dass man in Finnland auch noch etwas anderes zu bieten hat als die schwere sinfonische Kost des Nationalkomponisten Jean Sibelius — Musik des Jahrhunderts zum Beispiel.
