
WEIGHT: 51 kg
Bust: 36
One HOUR:100$
NIGHT: +40$
Services: TOY PLAY, Role Play & Fantasy, Dinner Dates, Gangbang / Orgy, Lesbi-show soft
The plaque on the State House building in Hargeisa, capital of Somaliland, is an oblique commemoration to an event that never occurred. It was built in for a visit to the then British protectorate by the newly crowned Queen Elizabeth II. The Queen never came. These days the half-ruined structure is known for another reason than as the former seat of gin-sipping British colonial officials. The grounds, including parkland once laid out as a golf course, have bred domed shelters β "bool" they are called β thatched with plastic and segments of scavenged cloth.
In places, walls have been tiled with panels of flattened cooking oil cans, which in their repetitions resemble Warhol prints. The bools are low, windowless huts through which the harsh light bleeds messily at the sewn seams to illuminate the kicked up dust. The occupants of this camp sit at the far end of the planet's social spectrum from the State House's first intended guest.
Not a monarch and her retinue but refugees from war. The huts are so densely packed together they block the State House from sight. It is barely visible when approaching the camp, but the monument marks the centre of a labyrinth of winding, narrow lanes where cockerels scrabble. When I reach it at last, I find the State House is not occupied itself save for a single wing of outbuildings.
Its rooms are open to the sky, floors scattered with detritus. Glassless window frames swing in the wind. But it is far from empty. Children clamber over walls of square-cut honey-coloured stone, partly demolished by fighting in the city in They sit on the floor of what once was a grand reception room to play complex games with piles of pale round pebbles, tossed and snatched from the air by competing hands.
Outside, a few young men sit on a veranda painted with graffiti, listening to music. They pull jackets over their heads to hide their faces at our approach and warn against photography.