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Share your interactive ePaper on all platforms and on your website with our embed function. Untitled Grass on Woman Death of a Chicken Imagen de Yagul Tree of Life series selected piece Fetish series selected piece Guabancex, Goddess of Wind Rupestrian Sculptures, selected piece Arbitra Witness Labyrinth of Venus Leaf Drawing Rape Scene Nanigo Burial Totem Grove Mendieta as an artist.
All of her work spoke to who she was as a woman, a Cuban American, and an artist. She believed the female body always belonged to the landscape and to nature. USA and Cananda: Routledge, , Castro Revolution to prevent Cuban children from being sent to the Soviet Union. It is here that Ana Mendieta would really start her creative career. Sioux City, Iowa. Cuban Missile Crisis. Cuban religion that combined ideas from the Yoruba in Africa with Catholicism.
Ana was introduced to Santeria by the African-Cuban servants who lived in her home. Hans Breder, with whom she developed a professional and romantic relationship.
Linda Montano. At this point, her art changes dramatically. Yagul Fig. In the fall, back in Iowa she created her Tree of Life series Fig. Silueta works with snow and ice were central a year later, along with her Fetish Fig. She performed Body Tracks Fig. Old Westerbury. Iowa in the summer to create variations on her Volcano Fig. She also became a member of A.
During her first solo exhibition at A. New York. Cuba was what she seemed to need for her to feel a true sense of home. Community College. She also began to make drawings in her New York studio. Her experiments continued. School in Hartford, Connecticut and in she made Arbitra Fig. Pennsylvania and carved Labyrinth of Venus Fig. Ontario in Scarborough, Ontario. She began to make leaf drawings Fig. National Park. Island beaches. American Academy in Rome beginning in October Galleria de Piano.