Heidelberg, Line-cut of the Amsterdam, edition. Preface in Ger-Eng. Opera V. Huntingdon, []. Line-cut of the London, c. Opus 3. Chamber Music from Georgian England, 1.
Huntingdon, c. Preface by Clifford Bartlett. Faksimile-Edition Rara, Stuttgart, Line-cut of the Venice, edition. Vocal settings with basso continuo, ten a2, six a3 and two a4 plus 2 violins. One piece is by Girolamo Avanzolini and one of the instrumental works is by Massimiliano Fredutii.
Wrappers, with portfolio in marbled paper. Courtly Masquing Ayres, Composed to 5. Parts, for Violins, Consorts, and Cornets. New York, []. Line-cut of T. Snodham edition, London, Venezia, G. Visconti Faksimile-Edition Krakau, 3. Marvellous collection of sacred concerti: 8 works a4, 3 works a3, 16 works a2 and 12 for solo voice, all with basso continuo. Wrappers, in portfolio with marbled paper boards.
Musica figuralis deudsch Im Anhang: Musica instrumentalis deudsch ; Musica choralis deudsch ; Rudimenta musices Hildesheim, Rich with woodcut illustrations and examples in Gothic and German lute tablature.
Faksimile-Edition Krakau, [20]. Wrappers, in slipcase. Autographus Musicus, Bandhangen, Auck etlich zu sleiten, schwegelen, und an deren musicalisch Instrumenten artlichen zugebrauchten]. Faksimile-Edition Rara, 4. Oblong, 15 x 10 cm, 4 partbooks, pp. Line-cut of the Cologne, print. The tenor partbook contains the complete texts of each lied.
