Proceed at your own risk! Laudna is played by Marisha Ray. Official art of Laudna, update, by Hannah Friederichs. Official art of Laudna, by Hannah Friederichs. When she first appeared, Laudna was fairly young, pale, and gaunt. Her big eyes had dilated pupils, and her lips were dark. Marisha further described Laudna's features as "almost doll-like. She wore tattered clothes, including a dark red blouse and a black skirt, although after some time traveling with Bells Hells she updated her outfit with a more elegant dress, more lady-like, and also a new hairstyle.
She wore pointy gold cuffs on her ears to hide their edges, which were once shorn to points like an elf's. Her hair was now worn tied into a tight bun. Originally, when Laudna used her Form of Dread, her extremities elongated and a black veil came across her face, hiding a stream of black tears pouring from her eyes. After her death and subsequent resurrection , the form altered to embody aspects of the Sun Tree. While exploring Whitestone Castle , the image became more definitively that of Delilah, with wider shoulders and wearing her choker, in an overlapping secondary shadow of Laudna.
Her eyes glow green at times, notably when she uses Eyes of the Runekeeper [37] or Cling to Life. After Delilah was sealed inside the Pinion of Service and the device left inside Laudna's chest, she stayed mostly the same, although her body temperature raised ever so slightly, making her less clammy; [39] the soul anchor's purple light inside her is barely visible.
In stark contrast to her ghoulish appearance, Laudna is rather bubbly, personable, and easy-going, although her emotions can fluctuate wildly. Marisha Ray described her as "just a little joyful undead kind of manic pixie dream girl. She is both gullible and innately hopeful. Fan art of Laudna, by Nathaniel Himawan ninesicks. When asked by Orym how she is the "happiest person" in Bells Hells, she commented that "the worst thing that's ever happened to [her] has already happened," alluding to her death.
She prefers not to dwell on the past, beseeching others to do so in kind, that there is "no point in being sad over what can't be changed". Despite her basic happiness, she has deep insecurities, paranoia, and worries, particularly about those she cares deeply for.
